Virtual cinema

 A film of deeply concentrated beauty, acclaimed filmmaker Pedro Costa’s Vitalina Varela stars nonprofessional actor Vitalina Varela in an extraordinary performance based on her own life. Vitalina plays a Cape Verdean woman who has travelled to Lisbon to reunite with her husband, after two decades of separation, only to arrive mere days after his funeral. Alone in a strange forbidding land, she perseveres and begins to establish a new life. Winner of the Golden Leopard for Best Film and Best Actress at the Locarno Film Festival, as well as an official selection of the Sundance Film Festival, Vitalina Varela is a film of shadow and whisper, a profoundly moving and visually ravishing masterpiece. 

Bernard (Gethin Anthony), a film location scout, tours a repossessed and crumbling French château. Over the course of an afternoon, he falls for both the place and its owner’s flirtatious representative, Maggie (Cara Theobold), who recounts the story of an influential popular-science book written and set there. But is their present-tense connection for real, or just a projection of the book’s 17th-century characters? 
 

“An indie with a science-smitten heroine and a continental touch, reminiscent of the cinema of Eric Rohmer in which the eros is contained in radiant, refined conversation.” 

-Gerald Peary, critic, filmmaker, and Computer Chess supporting actor

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“A small, unassuming film, but one that contains multitudes.”

–Stephen Saito, Moveable Fest

“Sort of a British, female-driven Before Sunrise crossed with an episode of Cosmos?” 

–Jon’s awkward try at an elevator pitch

"One of the boldest artistic statements of year"-Scott Macaulay, Filmmaker Magazine
“'Tito' is an instant classic of acting."-Richard Brody, The New Yorker
"Visionary."-Eric Kohn, IndieWire  

Synopsis 
Tito is trapped. With long black hair, greasy sideburns, and an emergency whistle dangling from his neck, he is so stricken with fear that he's developed a hunch in his back. Any attempt to venture into the outside world is met with the threat of elusive predators who hunt him relentlessly. Starved for food and security, Tito's terrorized existence threatens to overwhelm him - until the sudden arrival of a cheerful intruder, offering breakfast and protection...

Tito is a vision of predation, friendship, and fear, told through a wildly inventive and expressive new lens.

 "The filmmakers do yeoman’s work stitching together a brisk-moving narrative from what was surely a glut of footage – one might question certain inclusions, like the long shot Hoon took of himself peeing, but then again unexpected nudity was an undeniable part of the Shannon Hoon experience – and it certainly helps that Hoon makes for consistently engaging company. " -David Fear, Variety

Synopsis 
Shannon Hoon, lead singer of the rock band Blind Melon, filmed himself religiously from 1990- 1995 with a video camera, recording up until a few hours before his sudden death at the age of twenty-eight. His camera was a diary and his closest confidant. In the hundreds of hours of footage, Hoon meticulously documented his life—his family, his creative process, his television, his band’s rise to fame, and his struggle with addiction. He filmed his daughter’s birth, and archived the politics and culture of the 90s, an era right before the internet changed the world. Created solely with his own footage, voice, and music, this rare autobiography is a prescient exploration of experience and memory in the age of video. It is also Hoon’s last work, completed twenty-three years after his death. 

 “A treat for anyone who appreciates the printed word.” – The Hollywood Reporter

Antiquarian booksellers are part scholar, part detective and part businessperson, and their personalities and knowledge are as broad as the material they handle. They also play an underappreciated yet essential role in preserving history. THE BOOKSELLERS takes viewers inside their small but fascinating world, populated by an assortment of obsessives, intellects, eccentrics and dreamers.

“The Booksellers is a documentary for anyone who can still look at a book and see a dream, a magic teleportation device, an object that contains the world.” – Variety

“A snapshot of a life that leaves you grateful for having encountered it.” – Variety

Told in Bill Cunningham’s own words from a recently unearthed six-hour 1994 interview, the iconic street photographer and fashion historian chronicles, in his customarily cheerful and plainspoken manner, moonlighting as a milliner in France during the Korean War, his unique relationship with First Lady Jackie Kennedy, his four decades at The New York Times and his democratic view of fashion and society. Narrated by Sarah Jessica Parker, The Times of Bill Cunningham features incredible photographs chosen from over 3 million previously unpublicized images and documents from Cunningham.

“The minute Bill Cunningham starts talking in this charming documentary is the minute you fall in love with him.” – RogerEbert.com

“A unique New York story” – The Hollywood Reporter

World Premiere: 2019 Sundance Film Festival, Winner of the Audience Award: NEXT and the NEXT Innovator Prize

THE INFILTRATORS is a docu-thriller that tells the true story of young immigrants who are detained by Border Patrol and thrown into a shadowy for-profit detention center—on purpose. Marco and Viri are members of the National Immigrant Youth Alliance, a group of radical DREAMers who are on a mission to stop unjust deportations. And the best place to stop deportations, they believe, is in detention. However, when Marco and Viri attempt a daring reverse ‘prison break,’ things don’t go according to plan.By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, THE INFILTRATORS tells an incredible and thrilling true story in a genre-defying new cinematic language.

"Hong Sang-soo’s Woman on the Beach is his most complicated film, yet it seems his most accessible."

 Filmmaker Joong-rae, suffering from writer’s block, takes a trip to the coast with his production designer Chang-wook, who brings along the vivacious Moon-sook. Soon after their arrival, Moon-sook falls for Joong-rae’s advances; however, the fickle hero can’t commit and he awkwardly parts with her. What had been a sardonic JULES AND JIM turns into a burlesque VERTIGO when Joong-rae returns to the coastal resort and attempts to recreate the original romance with a woman who resembles Moon-sook, until his jilted lover shows up. A new 4K restoration completed by the Korean Film Archive from the original 35mm negative. 

“Enjoyably demented” – Los Angeles Times

In this black comedy of middle-aged masculinity gone awry, Academy Award winner Jean Dujardin (The Artist) is a recent divorcee who becomes obsessed with a vintage fringed deerskin jacket that begins to exert an uncanny hold on him. Set in a sleepy French alpine village, he falls into the guise of an independent filmmaker and befriends a trusting bartender and aspiring editor (Adèle Haenel, Portrait of a Lady on Fire) who becomes his collaborator on a movie that will document a surprising new goal he sets himself.

“A loopy entertaining WTF lark” – Variety

“Hilarious and unhinged” – Indiewire

“A Daring and Important Film.” - Variety

 Acclaimed writer-director Yaron Zilberman (A Late Quartet) chronicles the disturbing descent of a promising law student to an intransigent ultranationalist obsessed with murdering his country's leader, Israeli Prime Minister Yitzhak Rabin. Incitement is a gripping and unnerving look through the eyes of a murderer who silenced a powerful voice for peace.

“Powerful. The incitement in Israel that killed Yitzhak Rabin.” - The New York Times

“Timely. Remarkable. Chilling.” - The Hollywood Reporter

“A Chilling Portrait. Explores the mind of an assassin.” - Los Angeles Times

“A cinematic gift, an intellectual challenge, an emotional adventure” 

– New York Times, Critic’s Pick

A  complex portrait of a city and its inhabitants, THE HOTTEST AUGUST  gives us a window into the collective consciousness of the present. The  film’s point of departure is one city over one month: New York City,  including its outer boroughs, during August 2017. It’s a month heavy  with the tension of a new President, growing anxiety over everything  from rising rents to marching white nationalists, and unrelenting news  of either wildfires or hurricanes on every coast. The film pivots on the  question of futurity: what does the future look like from where we are  standing? And what if we are not all standing in the same place? THE  HOTTEST AUGUST offers a mirror onto a society on the verge of  catastrophe, registering the anxieties, distractions, and survival  strategies that preoccupy ordinary lives.

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“Two outstanding performances. Medel is marvelous, utterly engaging. Kuhling is a knockout." — Neil Young, The Hollywood Reporter 

FOURTEEN, the remarkable new film by Dan Sallitt (The Unspeakable Act) starring Tallie Medel (Stinking Heaven, Jules of Light and Dark)  and Chicago Med's Norma Kuhling.

Mara and Jo, in their twenties, have been close friends since middle  school. It soon becomes apparent that Jo, despite her intellectual  gifts, is unreliable in her professional life, losing and acquiring jobs  at a troubling rate. Substance abuse may be responsible  for Jo’s instability… but some observers suspect a deeper problem. Over  the course of a decade, the more stable Mara sometimes tries to help,  sometimes backs away to preserve herself, but never leaves behind her  powerful childhood connection with Jo.

An intimate, incisive look at female friendship, FOURTEEN earned major acclaim upon premiering at the Berlinale and is now virtual-cinema booking in all markets. 

“One of the best films I’ve seen about fine art. It casts an entrancing  spell that allows the staggering depth of its subject’s work to consume  us.”                         – Matt Fagerholm, RogerEbert.com 

Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Director Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her mischaracterization and erasure by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. 

“FIVE STARS! Ken Loach raises his game yet further with this  gut-wrenching tale of a delivery worker driven to the brink...It’s  fierce, open and angry, unironised and unadorned... This brilliant film  will focus minds.”                         – Peter Bradshaw,  The Guardian 

The British working class is once again the empathetic subject of Ken Loach’s SORRY WE MISSED YOU, a wrenching, intimate family drama that exposes the dark side of the so-called “gig economy”. Ricky, a former laborer, and his home-attendant wife Abby—who lost their home in the 2008 financial crash—are desperate to get out of their financial distress. When an opportunity comes up for Ricky to work as his own boss as a delivery driver, they sell their only asset, Abby’s car, to trade it in for a shiny new white van and the dream that Ricky can work his way up to someday owning his own delivery franchise. But the couple find their lives are quickly pushed further to the edge by an unrelenting work schedule, a ruthless supervisor and the needs of their two teenage children. Capturing the sacred moments that make a family as well as the acts of desperation they need to undertake to make it through each day, this universal story is skillfully and indelibly told with unforgettable performances and a searing script by Loach’s long-time collaborator Paul Laverty.  

“A candid, frank, and comprehensive whirlwind tour through the  life and work of one of the world’s most celebrated (and  uncompromising) chefs.” - The Gate 

Nothing Fancy: Diana Kennedy is an intimate, candid perspective into the curious world of 95-year-old cookbook author and British ex-patriot Diana Kennedy, widely regarded as the world’s academic expert on Mexican cuisine. Standing barely five feet tall with a thick English accent, Diana is a formidable critic of anyone who doesn’t agree with her views on Mexican culinary traditions, or, God forbid, doesn’t recycle. 

The author of nine acclaimed cookbooks, Diana has spent nearly seventy years exploring Mexico (typically solo in her truck), and researching the country’s varied and complex cuisines. A two-time James Beard Award winner, Diana was decorated with an Order of the Aztec Eagle from the Mexican government in 1982 and became a Member of the Order of the British Empire from the UK in 2002. Despite her notable achievements, Diana is difficult to categorize; often referred to as the “Julia Child of Mexico”. Given her ediger style, however, Diana prefers a different title: “The Mick Jagger of Mexican Cuisine”. 

“Brazilian cinema has been flourishing for several years and is especially strong this year, and that’s a great accomplishment considering the political situation which is very difficult for filmmakers.” - Variety

A proud transgender sex worker since the age of eleven, Luana Muniz, now fifty-nine, shapes a new reality in her “hostel” by housing a new generation of transgender sex workers in Rio de Janeiro, Brazil. Queen of Lapa explores the day-to-day lives, rivalries, and quests for love of sex workers, as Muniz’s guides them in a city full of hostility towards its LGBTQ community. 

"Affecting  in its portrayal of the in-limbo phase of a young person’s life [...]  The uncertainty of youth, the black-and-white cinematography of the  city, and the use of classical music may call to mind Frances Ha (2012), though the cultural concerns are miles apart."
— Kristen Yoonsoo Kim, Artforum

After failing his university entrance exams for the third year in a row,  Min Suk, a directionless twenty-something Korean man, travels to New  York to visit his long-distance girlfriend Yeon Jae. Over the course of a  rollercoaster week, he experiences both the thrill of losing himself in  a new city and the bitter realization that his relationship is  gradually imploding. A romantic, outsider’s view of New York shot in  elegiac black and white, Sunrise/Sunset perfectly captures the  wonder and disorientation that comes with being a stranger adrift in a  strange land.

Years  after a dramatic bike accident, Jason Hamel continues to live a dynamic  life – and paints elaborate portraits with his mouth.

To see Jason’s extraordinary work, visit jasonhamel.net.